ORNAMENT HALLUCINATION
Project Type
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This thesis explores the evolving role of computational design in contemporary architecture, focusing on the deconstruction of ornamentation as a means to redefine structural expression. By reinterpreting historical motifs through algorithmic manipulation, the research examines how ornamental elements can transcend mere decoration to become integral to architectural frameworks. This study challenges the modernist dichotomy between ornament and function, investigating whether advanced computational techniques can generate structurally and aesthetically coherent design solutions.
Through geometrical deconstruction, the research tests the structural viability of ornamental motifs, applying algorithmically derived patterns to building typologies. This process seeks to push the boundaries of architectural expression, questioning conventional fabrication methods and proposing new strategies for material articulation. The integration of digital fabrication and generative design offers a pathway to innovate beyond conventional tectonic approaches, apotentially bridging the gap between artistry and engineering.
Ultimately, this thesis interrogates the implications of computationally driven ornamentation in contemporary practice. By critically engaging with digital design methodologies, it aims to establish a dialogue between historical precedent and future innovation, redefining the role of ornament in the built environment while reconsidering its cultural, structural, and functional significance.